Prepared piano exponent Tzenka Dianova presents her original and beautiful approach to the piano. It began with the word deconstruction, which was “merely a pun” (Cage’s phrase) on John Cage’s construction. Originally, it was the title of a sound-recycling piece of mine, written to accompany his “Perilous Night.” Later on, the word inspired the idea of a collection of “deconstructed” works of Satie and Cage – works reinvented by unusual means, a respectful tribute to the two composers.
